Alfons Borrell Palazon - Gravure signée - 68/75 - 2004
Stan Van Houtven - Maison et bateau
Pablo Picasso - "Scene de Corrida: la pose des banderilles" 1959/1999
Type d'œuvre d'art | Objets ethnographiques |
Période | 1900 à 1944 |
Technique | Bois |
Style | Africain |
Sujet | Masque |
Dimensions | 26 x 24 x 12 cm (h x l x p) |
The professional standard is not included in the auction. You can order it there for 29.85 euros.
Taxatiewaarde; 125- 150 euro
The Ibibio people are a coastal people in southern Nigeria. They are mostly found in Akwa Ibom and Cross River. They are related to the Annang, Igbo and Efik peoples. During the colonial period in Nigeria, the Ibibio Union asked for recognition by the British as a sovereign nation (Noah, 1988).
The Annang, Efik, Ekid, Oron and Ibeno share personal names, culture, and traditions with the Ibibio, and speak closely related varieties (dialects) of Ibibio which are more or less mutually intelligible. The Ekpo/Ekpe society is a significant part of the Ibibio political system. They use a variety of masks to execute social control. Body art plays a major role in Ibibio art.
The masks and accoutrements of the Ekpo society make up the greatest works of art in Ibibio society. Ibibio often purposefully play with proportions in their masks to distort the face. A component that appears often in Ibibio masks is an articulated lower jaw. Ibibio people have an overarching theme of contrasting male and female masks by using dark and light colors respectively. These masks are not always performed together, but there is a general understanding of their opposing relationship. Feminine masks are decorated with light colors such as white. Their features are delicate to emphasize their femininity. On the other hand, masculine masks use dark colors to represent the mystic forces of the forest. These masks often have large features and are created to be intentionally ugly. They achieve this by distorting the features in unnatural manners such as having bulging eyes or misplaced mouths. Many deformities present in the masks come from naturally occurring human diseases and illnesses. One that is often depicted is gangosa - a part of yaws. Signs of baldness and walking sticks also show up often in order to portray symbols of karma and old age. Men's costumes incorporate natural materials from the wilderness such as raffia, and seed pod rattles. Women's costumes use materials such as light colored cloth to represent the order of living in the village.
État | |||||||||||
État | Très bon | ||||||||||
Expédition | |||||||||||
Retrait sur place | L'œuvre peut être récupérée sur place. En tant qu'acheteur, vous devez apporter vos propres matériaux d'emballage. L'emplacement est : Hengelo, Les Pays-Bas | ||||||||||
Envoi | Colis postal | ||||||||||
Prix | Jusqu'à 10 kg.
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Garantie | |||||||||||
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